These 4-part chords, sometimes called “Jazz” chords are simply 4-part chords. You need ONE chord, four voicings, that can serve a foundation for building ALL your 4-part, contemporary “jazz” chords. For a blues in a "jazz" setting the chords can adapt the extended harmonies common to a jazz blues such as ninths, thirteenths and altered chords. For minor keys they are minor triads and again sevenths. For simple I IV V rosk, country and blues progressions in a major keys the basic chords would be major triads and/or sevenths with a few ninth chords thrown in. However there are some chord types more common than others used in a typical blues progression. A chord does not need any additional stylistic or functional designations added to to its name. The only name a chord has is its actual name, like: C, C7, Dm, Fmaj7 etc. A chord is a chord - and any chord can be used in a blues progression or song. Really, there's no such thing as a “blues” chord. Just simply knowing the notes of the ukulele fingerboard and the chord.īlues chords are drawn from all Four Chord Categoriesīasic Movable Form Chords, a.k.a. Here are a few suggested lessons on chord alterations and extensions or upper partials.īlues Chords are just any chord you are playing a Blues with. Chords have a letter name, and it's root and type information indicating the type of chord and any alterations or extensions or upper partials. A chord can be as simple as a three-note triad, all the way up to a fancy jazz chord like G13+9. A chord is three or more notes sounded together.
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